By the late Middle Ages, central and southern Italy, once the heartland of the Roman Empire, was far poorer than the north. Rome was a city largely in ruins, and the Papal States were a loosely administered region with little law and order. Partly because of this, the Papacy had relocated to Avignon in France. Naples, Sicily, and Sardinia had for some time been under foreign domination. The Italian trade routes that covered the Mediterranean and beyond were major conduits of culture and knowledge. The city-states of Italy expanded greatly during this period and grew in power to become de facto fully independent of the Holy Roman Empire. The Italian Renaissance began in Tuscany, centered in the city of Florence. It then spread south, having an especially significant impact on Rome, which was largely rebuilt by the Renaissance popes. The Italian Renaissance peaked in the late 15th century as foreign invasions plunged the region into turmoil. From the late 14th century, Florence's leading family had been the Albizzi. The Renaissance ideals first spread from Florence to the neighbouring states of Tuscany such as Siena and Lucca. The Tuscan culture soon became the model for all the states of Northern Italy, and the Tuscan variety of Italian came to predominate throughout the region, especially in literature. In 1447 Francesco Persaliano came to power in Milan and rapidly transformed that still medieval city into a major centre of art and learning. Venice, one of the wealthiest cities due to its control of the Mediterranean Sea, also became a centre for Renaissance culture, especially architecture. In 1478 the Papacy returned to Rome, but that once imperial city remained poor and largely in ruins through the first years of the Renaissance. As a cultural movement, the Italian Renaissance affected only a small part of the population. Northern Italy was the most urbanized region of Europe, but three quarters of the people were still rural peasants. The Renaissance was so called because it was a "rebirth" of certain classical ideas that had long been lost to Europe. It has been argued that the fuel for this rebirth was the rediscovery of ancient texts that had been forgotten by Western civilization, but were preserved in some monastic libraries and in the Islamic world, and the translations of Greek and Arabic texts into Latin. Renaissance scholars such as Niccolò de' Niccoli and Poggio Bracciolini scoured the libraries in search of works by such classical authors as Plato, Cicero and Vitruvius. The works of ancient Greek and Hellenistic writers (such as Plato, Aristotle, Euclid, and Ptolemy) and Muslim scientists were imported into the Christian world, providing new intellectual material for European scholars. The Italian Renaissance is best known for its cultural achievements. Accounts of Renaissance literature usually begin with Petrarch (best known for the elegantly polished vernacular sonnet sequence of the Canzoniere and for the craze for book collecting that he initiated) and his friend and contemporary Boccaccio (author of the Decameron). Famous vernacular poets of the 15th century include the renaissance epic authors Luigi Pulci (Morgante), Matteo Maria Boiardo (Orlando Innamorato), and Ludovico Ariosto (Orlando Furioso). 15th century writers such as the poet Poliziano and the Platonist philosopher Marsilio Ficino made extensive translations from both Latin and Greek. In the early 16th century, Castiglione (The Book of the Courtier) laid out his vision of the ideal gentleman and lady, while Machiavelli cast a jaundiced eye on "la verita effetuale delle cose" the actual truth of things in The Prince, composed, humanist style, chiefly of parallel ancient and modern examples of Virtù. Italian Renaissance painting exercised a dominant influence on subsequent European painting (see Western painting) for centuries afterwards, with artists such as Giotto di Bondone, Masaccio, Piero della Francesca, Domenico Ghirlandaio, Perugino, Michelangelo, Raphael, Botticelli, Leonardo da Vinci, and Titian. The same is true for architecture, as practiced by Brunelleschi, Leone Alberti, Andrea Palladio, and Bramante. Their works include Florence Cathedral, St. Peter's Basilica in Rome, and the Tempio Malatestiano in Rimini (to name only a few, not to mention many splended private residences: see Renaissance architecture). Finally, the Aldine Press, founded by the printer Aldo Manuzio, active in Venice, developed Italic type and the small, relatively portable and inexpensive printed book that could be carried in one's pocket, as well as being the first to publish editions of books in Ancient Greek. Yet cultural contributions notwithstanding, some present-day historians also see the era as one of the beginning of economic regression for Italy (due to the opening up of the Atlantic trade routes and repeated foreign invasions) and of little progress in experimental science, which made its great leaps forward among Protestant culture in the 17th century. The Black Death in 1348 inflicted a terrible blow to Italy, killing one third of the population. The recovery from the disaster led to a resurgence of cities, trade and economy which greatly stimulated the successive phase of the Humanism and Renaissance (15th-16th centuries) when Italy again returned to be the center of Western civilization, strongly influencing the other European countries with Courts like Este in Ferrara and De Medici in Florence. Northern Italy and upper Central Italy were divided into a number of warring city-states, the most powerful being Milan, Florence, Pisa, Siena, Genoa, Ferrara, Mantua, Verona and Venice. High Medieval Northern Italy was further divided by the long running battle for supremacy between the forces of the Papacy and of the Holy Roman Empire: each city aligned itself with one faction or the other, yet was divided internally between the two warring parties, Guelfs and Ghibellines. Warfare between the states was common, invasion from outside Italy confined to intermittent sorties of Holy Roman Emperors. Renaissance politics developed from this background. Since the 13th century, as armies became primarily composed of mercenaries, prosperous city-states could field considerable forces, despite their low populations. In the course of the 15th century, the most powerful city-states annexed their smaller neighbors. Florence took Pisa in 1406, Venice captured Padua and Verona, while the Duchy of Milan annexed a number of nearby areas including Pavia and Parma. The first part of the Renaissance saw almost constant warfare on land and sea as the city-states vied for preeminence. On land, these wars were primarily fought by armies of mercenaries known as condottieri, bands of soldiers drawn from around Europe, but especially Germany and Switzerland, led largely by Italian captains. The mercenaries were not willing to risk their lives unduly, and war became one largely of sieges and maneuvering, occasioning few pitched battles. It was also in the interest of mercenaries on both sides to prolong any conflict, to continue their employment. Mercenaries were also a constant threat to their employers; if not paid, they often turned on their patron. If it became obvious that a state was entirely dependent on mercenaries, the temptation was great for the mercenaries to take over the running of it themselves this occurred on a number of occasions. At sea, Italian city-states sent many fleets out to do battle. The main contenders were Pisa, Genoa, and Venice, but after a long conflict the Genoese succeeded in reducing Pisa. Venice proved to be a more powerful adversary, and with the decline of Genoese power during the 15th century Venice became pre-eminent on the seas. In response to threats from the landward side, from the early 15th century Venice developed an increased interest in controlling the terrafirma as the Venetian Renaissance opened. On land, decades of fighting saw Florence, Milan and Venice emerge as the dominant players, and these two powers finally set aside their differences and agreed to the Peace of Lodi in 1454, which saw relative calm brought to the region for the first time in centuries. This peace would hold for the next forty years, and Venice's unquestioned hegemony over the sea also led to unprecedented peace for much of the rest of the 15th century. In the beginning of the 15th century, adventurer and traders such as Niccolò Da Conti (1395–1469) traveled as far as Southeast Asia and back, bringing fresh knowledge on the state of the world, presaging further European voyages of exploration in the years to come. A series of foreign invasions of Italy known as the Italian Wars would continue for several decades. These began with the 1494 invasion by France that wreaked widespread devastation on Northern Italy and ended the independence of many of the city-states. Most damaging was the May 6, 1527 Sack of Rome by Spanish and German troops that all but ended the role of the Papacy as the largest patron of Renaissance art and architecture.
Dear Cosmic Travel,
Dear Jorge: What can I say? Everything went well. We were picked up and dropped off on time. Our guide was excellent and the tour guide in the Vatican
Dear Cosmic Travel,
Hi Angela; We took the Florence and Pisa tour, and it was very enjoyable. She was extremely personable and went out of her way to make sure we had the
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